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Publishing Industry News (PIN) brings you news, information, and opinion with a Futurian, digital slant. This week's featured, successful self-published author is U.S. poet Walt Whitman. John Locke, digital author, passes million sale mark. J. K. Rowling, now digital and independent publisher, roars out with Pottermore in what may be a game changer for the industry.
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More below the fold (Click):
John Locke Over 1,000,000;
Digital, E Coming of Age;
J.K. Rowling: Pottermore;
Bias in Online Reviews;
Eliot, the App;
Interactive YA;
Random Revives LS;
New: Virtual Tour;
Kansas Library Uproar;
Book Clubs Close;
Borders: Doom or Gloom;
Ten Doomed Industries;
Dale PeckGreat Rant;
Umnitsa.
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John Locke's Kindle Sales Pass 1,000,000 John Locke, a U.S. author, has become the first acknowledged person to sell over one million Kindle books.
(Publishers Weekly June 20, 2011)
Coming of Age: Self-Publishing, Digital John Locke isn't the only glittering success story in the New Publishing. "What used to be seen as a last resort is fast becoming the most successful trend in writing" and "Self-published authors Louise Voss and Mark Edwards top Amazon.co.uk's Kindle bestseller list, selling nearly 2,000 copies a day of their jointly-written thriller, Catch Your Death." Much more in this excellent survey
(Guardian UK 24 June 2011)
Rowling Announces More Potter (Online) J.K. Rowling, whose first novel in the Harry Potter series was nearly overlooked by the publishing establishment, has apparently finished the main cycle of her books. She has avoided digital publishing, but will now make a foray into e-books. She may also shake up the entire game. (YouTube).
Putter more about Pottermore. (BBC News 23 Jun 2011)
Three ways Pottermore could shake up the digital publishing industry, including the sidelining of Amazon Kindle & Ilk (PaidContent 23 Jun 2011).
Rowling's Marketing Genius
(Guardian UK 23 Jun 2011).
More Pottermore just to be sure
(PaidContent 23 Jun 2011).
Amazon Reviews: Bias? We learn that some premium reviews at Amazon may not be entirely alruistic or free of bias. We've long known that many big name authors offer their names and raves on books they've never read, by newcomers, because it's the best source of free publicity for some of these Big Six flagships who already hog the airwaves with their mega-hype. Why are we not surprised to learn that there is more payola to be found in the lower echelons? (PaidContent 24 June 2011)
T.S. Eliot, the App. When I first experimented with online fiction around 1996, it occurred to me that the technology was wide open to what is now called enhancement, or the adding of video, music, and graphics to otherwise mundane text. I just as quickly discarded the idea, because nothing can improve on the power of raw text on the human mind, in the hands of an expert writer. I assumed this would be one of those fires that would be rediscovered, time and again, perhaps to drop by the wayside as new minds considered the same problems and opportunities. The opportunity is there to create a new art form, perhapsbut not to improve on the original art of a genius, anymore than we are going to improve Leonardo's Mona Lisa by applying neon makeup and rock tunes, just because we can, or to improve old grayscale movies by colorizing them. I see nothing wrong in trying out derivative art forms, as long as we're honest about it. Here again we are at that juncture. My realization in 1996 was that the average publisher cannot afford to up the ante so that the new story form puts pure text to bed forever. On the contrary, pure text, unadorned, will always be the most powerful literary form. Once you add embellishments, you are at best creating a new art form. Most publishers will stick to the economical method of letting text and mind work their magic dance together. (Salon 14 June 2011)
Fiction Express: Interactive YA This U.K-based website, owned by Discovery Books, Inc., seems to have a new wrinkle on an old idea: customer interactiveness. Visit them. Aimed at a teenage market
(Book Business 12 June 2011)
Random Revives Loveswept Here is a prime case study of what happened in the Old (print) Publishing, when the house not only purchased the rights it needed, but stole everything else from the author. In the story above, about J.K. Rowling, note that the publishers did not think to steal her digital rights, so she's about to double her money and take it all to the bankwithout sharing. Random has this treasure trove of eternal, stolen rights that they now want to monetize. On the one hand, maybe it will bring back some old stories for a second run. On the other hand, it sounds incredibly harmful to all the authors of this generation who are already struggling in an increasingly oceanic, swamped digital marketplace. Random will have to pull out old contracts and see what terms they must offer those old authors, if any.
(Book Business 12 June 2011)
Virtual Literary Tours The latest wrinkle in promotion: the virtual book signing tour
(Literarily Speaking 23 June 2011)
Kansas Librarians Walk Away with Overdrive Goods Kansas librarians, backed by the state's attorney general, feel they have a strong case against ebook vendor OverDrive. This will be a major digital rights case to watch
(Library Journal 23 June 2011)
Sign of the Times: Book Clubs Close Bertelsmann, German owner of a large chunk of U.S. print publishing, is closing some big name book clubs like BOMC
(PaidContent 15 June 2011)
Borders: Doom or Gloom Still major news, but no longer much shock value: Borders is coming down to the wire, and the choices are stark for it and the entire Big Six print industry
(Publishers Weekly 20 June 2011) (Reuters 20 June 2011).
Ten Doomed Industries Notice how many of these are the victims of the paradigm shift to all things digital. They could have added bookstores. Newspapers, video stores, etc.
(Yahoo Finance 20 June 2011)/
Dale Peck Rant: All The Ways (Print) Publishing is Stupid Writer and critic Dale Peck in a speech before at the PEN World Voices festival
(Daily Beast 19 May 2011)/
Umnitsa: The Good Girl
Historical/Espionage/Love Story
In the tradition of
Boris Pasternak's Doctor Zhivago, John Le Carré's Naive and Sentimental Lover, and Graham Greene's The Third Man, but Umnitsa is ground-breaking and in a class of its own. At key moments, it will also remind readers of the movie Chinatown starring Jack Nicholson and Faye Dunaway.
Umnitsa: The Good Girl This unconventional love story is complex, and by turns tragic and exhilarating. Its style and themes recall Boris Pasternak's writing textures and themes in Doctor Zhivago. If Pasternak's novel is an enigmatic slice of life in Russia at a historical pivot, then Umnitsa is likewise an enigmatic slice of life in the U.S. at its greatest historical turning point. San Francisco, in 1945, at the intersection of two epic wars (World War II and the Cold War) is a mad and brooding capital of rioting and passion. A dark, heavy atmosphere of espionage envelops the founding of the United Nations that summer, as well as the final preparations to drop the world's two first atomic bombs in war.
Framing the story is the 1991 search by a wealthy French countess for her long-lost father. Marianne Didier is a wealthy, glamorous, but troubled French jet-setter. She was adopted as a toddler, out of squalor and hopelessness in post-World War II Siberia. Her legacy from her long-dead mother includes the affectionate term Umnitsa, good or clever girl. Though she has everything life can offer, she is missing one all-important piece. From her base in Paris, she goes on a search for her long-lost father while the Soviet Union collapses in 1991 and the world changes. Her journey takes her around the world, and frames the story (1942-1945) of her
long-lost father back in his prime during World War II.
During World War II, courageous, handsome young U.S. Navy officer Tim Nordhall pursues a Soviet-Nazi-Allied triple agent (Jaguar), who is deeply involved in atomic espionage. Tim Nordhall's adventures take him from the deserts and jungles of Africa, to London during the Blitz, and finally wartime San Francisco in 1945. In London, the naive clockmaker from Connecticut encounters the great, beautiful love of his life, a Free Polish Army nurse named Anna Stokowska. One of the women in Tim's life will bear him the lost child around which the entire novel circles. Anna, Tim, and other memorable characters fade in and out in the fog of war, while the ruthless espionage services of the Great Powers ply their shadowy and ubiquitous trade.
San Francisco, like Paris a world-class City of Love, is in 1945 a wild brawl of war-weary young men and women. Atomic bomb material destined for Hiroshima and Nagasaki passes through en route to Tinian. Secret agents from around the world conduct shadowy warfare, including two remarkable women spies who become Tim's lovers. Tens of thousands of lusty, brawling young men and women party and work in the waning months of an epic war. San Francisco is a rainy neon blur, whose slick streets rattle with gunfire from passing cars, whose windows glow with parties and jazz, and whose dark doorways shelter terrified and curious eyes. The title, Umnitsa: Good Girl, refers to a common Russian term of endearment for a girl-child, and is key to Marianne (Countess) Didier's desperate, lifelong search. Time flows inexorably, but sometimes its mysteries form an infinite circle that keeps doubling back upon itself
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More below the fold (Click):
DIY versus DITY Publishing;
Walt Whitman, self-publisher;
Early Life;
Middle Years;
Leaves of Grass (1850-1892);
Censorship;
Historical Background;
Freedom in Publishing: Do It Yourself (DIY) vs. Doing It To Yourself (DITY). One last dissertation on the differences between being a publisher, entrepreneur, and independent thinker versus being a victim of the New Vanity (Assisted Publishing)
Walt Whitman (1819-1891), Author & Self-Publisher. Probably the most iconic poet in U.S. history, Walt Whitman stands shoulder to shoulder with some of the most compelling poets in the English language. Here is a compelling archive about Walt Whitman at the University of Nebraska-Lincoln. Here is a collection of Whitman's poetry at Black Cat Poems. In the U.S., his cause was promoted by famous members of the Transcendentalist movement, notably Ralph Waldo Emerson. In the U.K., Leaves of Grass was published through the influence of William Michael Rossetti (1829-1919), son of Dante Gabriel and Christina Rosetti, and a founder of the Pre-Raphaelite Movement in 1848. Also in the U.K., the well-connected writer Anne Gilchrist (1828-1885) avidly promoted Whitman, with whom she became good friends during her last decade of life.
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Walt WhitmanEarly Poverty. Whitman's lifetime coincided with the general tone of his poetry: expansive, exuberant, optimistic, limitless as the waving seas of wheat on the endless prairies and valleys nurtured by boundless river systems. And yet, Whitman grew up in poverty and uncertainty, his family often changing addresses to outsmart creditors and bill collectors. Whitman's childhood was not entirely happy. He was the second of nine children. At age 11, he left school and went to work to help support his family. For a time, he acted as an office boy as a law firm. Soon, he gravitated toward small New York City area newspapers. There, he learned the technical aspects of printing, including typesetting and compositing. He probably picked up some editorial skills, and may have published a few small poems as a teenager. His progressive ideas formed early, including his positions against slavery and capital punishment. From ages 16 to 18 (1835-1839), he became a grammar school teacher, presumably of all the standard subjects including reading, arithmetic, grammar, composition, history, and geography. Authors publishing their own work, take note: Here is an example of an author who understood the technical side and the business of publishing. Having been rejected by established publishing, he did not use Assisted Publishing in any form (the new Vanity) but instead shopped his product directly to a local printer. In this case, the printer was not the publisher, as some Assisted Publishing scams pretend to be. Walt Whitman was author and publisher. He simply shopped the job to a printer, who acted simply as a printernot a windbag full of vague and airy promises, and not a ripoff artist. Whitman received praise and support from the likes of Ralph Waldo Emerson (1803-1882), the great Transcendentalist poet, and one of the leaders of a philosophical movement that swept the U.S. during the New England Industrial Revolution in the decades leading up to the Civil War. As a vocal supporter of progressive causes espoused by the Transcendentalists, the talented young Whitman soon gained wide fame and recognition. Note: the philosophical and artistic bent of the country drifted away from idealism, and toward the Realism of a Stephen Crane, Joseph Conrad, or Theodore Dreiser. The devastation and cruelty of the Civil War, which was perhaps the world's first truly Industrial War, affected almost every U.S. family, and harsh urban working conditions in the Gilded Age no doubt transported the new nation to its first mature decades as a growing power around the world. Walt Whitman had the great fortune to grow from poverty to fame, and to experience the heady expansion of a great power in its adolescence, and yet lived through the national calamity of the Civil War and the assassination of a president (Lincoln) whom Whitman and many other progressives admired. For the last forty years of his life, Whitman kept revising and amending his greatest work, Leaves of Grass.
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Walt WhitmanMiddle Years. Walt Whitman began his life on Long Island, spent his childhood in New York City and Brooklyn, and lived as an adult in New York, Washington D.C., and finished his years in New Jersey. During his middle years (before the first publication of Leaves of Grass, he alternated between jobs in printing and teaching. For a brief time, he owned and operated his own newspaper. In 1848 (age 29) Walt was fired from the Brooklyn Daily Eagle, a conservative Democratic paper, for his support of the Wilmot Proviso, a bill that called for the exclusion of slavery from all newly acquired territories. He actively promoted progressive causes, like the Free Soil movement (preventing slavery in new territories and states) and the Wilmot Proviso that helped bring about the Civil War in 1861 (when Walt was 42). The pro-slavery party at that time were the conservative Democrats. In a total reversal from modern political alliances, the Republicans (personified by Abraham Lincoln) favored abolition and other progressive causes. He was active in political causes during his middle years, to the extent of becoming a debater for the progressive Democratic wing around Long Island for a short time. As the Democratic became increasinly pro-slavery and conservative, Whitman became active in progressive Republican causes. He became a staunch upporter of progressive Republican Abraham Lincoln. In 1861, after the Confederate attack on Fort Sumter, Whitman wrote the recruiting poem Beat! Beat! Drums for the Union cause. Upon Lincoln's assassination upon the end of the Civil War in 1865, he wrote the famous poetic eulogy When Lilacs Last in the Dooryard Bloomed
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Leaves of Grass. Walt Whitman's great U.S. epic poetry would be his collection Leaves of Grass (see modern book cover opposite). He first (self) published a version in 1855 at a Brooklyn print shop whose owners he had known since his early days in the printing trade. Whitman paid to publish just under 800 copies, and did much of the typesetting himself. He would continue
editing and amending this master work (a U.S. epic) until his death 42 years later. To that date, he had become thoroughly familiar with literature, as well as the printing and publishing business. Nobody would touch the strangely free-form, controversial open verse, which included strong references to what might be taken as homosexual or bisexual love. More to the point, Whitman exalted the human body and spirit, which his long lines of exultant poetry took beyond even Romanticist or Transcendentalist freedoms (which were, themselves, off the narrow-gauge railroad of politically correct doom and brimstone). In a nation steeped in puritanical negation and ensnared in the black-suited mourning excesses of Victorianism, Whitman stood out like a sore thumb, anathema to the established order. He was treated as 'immoral' and an outcast, often in the framework of partisan politics. Nevertheless, he received admiration and fame from beyond U.S. borders, and was revered among progressive readers in his own nation. As with many of the most successful self-publishers, his work has never gone out of print.
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Censorship. In those days, in much of the Eurocentric world, printers and publishers were usually the same person(s). In their defense, it must be observed that they were subject to close, dogmatic scrutiny by the religiously-dominated governments of most nations, including the U.S. and U.K. This is why D.H. Lawrence and James Joyce would have to print their books in Italy, where the compositors could not understand what they were typsetting. Likewise, as recently as 1959, it was still illegal to sell copies of James Joyce's Ulysses (and many other literary works) in the U.S. During the 1950s, an enterprising Classics professor I personally knew, who lived in Rome, Italy but periodically visited relatives in New Haven, Conn., had a copy of Joyce's great book printed in Italy, under fancy boards with the gilt title Father of Telemachus. He thus smuggled the banned book into the U.S. in his luggage, avoiding possible large fines, the book's confiscation, and even jail time. It is easier to understand one of the main impulses toward censorship involving many of our famous self-publishers. At the same time, many objected to the mere mention of love or sexuality, in Whitman as in other great names, based on the puritanical norms of the time.
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Walt WhitmanHistorical Background. Walt Whitman's lifetime of 72 years spanned the explosive growth of a vast, young nation. At his birth, the United States had been independent for just 36 years after the Treaty of Paris (1783) saw Great Britain cede all of its territory bounded by Canada in the north, the Mississippi River in the west, and the French and Spanish possessions on the Louisiana coast of the Caribbean Sea. As Walt Whitman came into the world, the last of the territories (e.g. Illinois, Mississippi) east of the Mississippi achieved statehood. He was born during the presidency of James Monroe (fifth president, in office 1817-1825). In 1823, when Walt was four years old, President Monroe issued his famous Monroe Doctrine, whose primary intent was to prevent European powers from establishing new colonies in the New World, at a time when the Spanish Empire was falling apart. Mexico, for example, achieved independence in 1821, and, lacking the resources and organization of the Spanish Empire, presented a soft target for U.S. expansion in the following 25 years. As proof of concept, Napoleon III tried to set up Archduke Maximilian of Austria as Emperor Maximilian I of an abortive Second Mexican Empire while perceiving U.S. weakness during the Civil War of 1861-1865. At the start of Whitman's lifetime, the continental expanse of the United States lay confined between the Atlantic seaboard and the Mississippi River. By the time he was old, the U.S. stretched from coast to coast. The last U.S. territory acquired on the North American continent was a strip along the final Mexican frontier by the Gadsden Purchase, 1853. By that time, Texas had been annexed (1845). The U.S. acquired the Oregon Territory from Great Britain in 1846, to consist of the later states of Washington, Oregon, and Idaho, as well as parts of Montana and Wyoming. To fulfill U.S. southwestern ambitions, the Mexican Cession of 1848 gave up California, Nevada, Arizona, Utah, as well as the western portions of New Mexico and Colorado. In 1890, just two years before Walt Whitman's death at age 72, the U.S. Census declared the Frontier 'closed' or vanished forever. The last continental territories to become states did so shortly after Whitman's death: Oklahoma in 1907; and New Mexico and Arizona in 1912. (Alaska and Hawai'i followed in 1959). This seemingly boundless and exuberant, if often lawless and violent, expansion of possibilities and territories shaped the tenor of Whitman's life. The long, open lines of his poetry lie free and wild like endless seas of waving wheat. While much of South America was, in poetic diction, shrouded in wild Amazonian jungle leaves, much of North America was shrouded in a metaphorical, limitless wilderness of grass (wheat, prairies).
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